10 nov. 2008

EL DIA QUE ME QUIERAS...O ROLANDO EN BERLIN

El domingo 9 ha tenido lugar en Berlín el concierto benéfico de Rolando Villazón y Daniel Barenboim, en el que se recaudaban fondos para la reconstrucción de la Staatsoper.

La Agencia Efe ha distribuido una nota que reproducen diferentes medios, como El Universal.

Pero nosotras queremos destacar lo que ha enloquecido al público: la interpretación por parte de Rolando de la preciosa canción EL DIA QUE ME QUIERAS.


QUEREMOS OIR ESO, POR FAVOR, PUEDE SER BRUTAL, TOTAL, MORTAL...


Y por eso vamos a inaugurar una novedad bloguera: OFRECEMOS UNA RECOMPENSA A QUIEN NOS APORTE UN AUDIO DE ESA CANCIÓN INTERPRETADA POR ROLANDO !!! En que va a consistir...pues no tenemos ni idea, eso ya se hablará con el "aportador", pero lo que es seguro es que va a tener el agradecimiento de un buen número de personas.

CAMPAÑA: QUEREMOS EL DIA QUE ME QUIERAS POR ROLANDO, YA !!!


NOVEDAD:

ARRIBA, EN LA BARRA LATERAL IZQUIERDA,
TENÉIS LA VERSIÓN DE EL DIA QUE ME QUIERAS CANTADA
POR ROLANDO EN SU CONCIERTO CONJUNTO
CON JUAN DIEGO FLÓREZ, EN EL TCE DE PARIS,
EL 8 DE JULIO DE ESTE AÑO (GENTILEZA DE PARSI!)

9 nov. 2008

ASSAIG GENERAL LE NOZZE DE FIGARO AL LICEU


Us parlem d'un assaig general ( avui diumenge 9) i, en conseqüència, hi ha reserves en la nostra opinió fins l'estrena de dimarts, però...

- Kyle Ketelsen molt bé, molt rebé, molt requetebé, tot i que segur que ho millora. Al gust d'alguna...fa un Figaro oscil·lant entre molt varonil i molt còmic, però li falta la ironia de Terfel, per exemple. Però és d'ho millor de la funció, sens dubte.

- Sophie Koch fa un molt bon Cherubino i Emma Bell una excel·lent comtessa, dues magnífiques veus i interpretacions.

- i els altres, hummmmm, Ludovic Tèzier ens ha semblat molt fluix, nosaltres em hem "resituat" a baix, però des de dalt no es devia escoltar res. I Ofelia Sala...el paper li ve gran per totes bandes, creiem que la seva interpretació de Susanna no es digna d'aquestes Nozze. Cap química amb l'imponent Figaro, moviments i gestualitat rància...que ha estat el pitjor, vaja, segons el nostre gust.

- i Pasqual...doncs a nosaltres ens ha agradat el seu treball. La escenografia dels anys 30 era elegant, aprofitant molt bé els elements, res era sobrer, i la estètica encaixava totalment amb l'argument, ben intemporal, per cert.

Falten coses, però més consideracions, a partir de l'estrena el dimarts 11...

8 nov. 2008

WAITING FOR KYLE



AquÍ teniu tres imatges, en diferents interpretacions de Figaro, del baix-bariton Kyle Ketelsen, el protagonista de le Nozze de Figaro, que s'estrenen aquest proper dimarts 11 al Liceu.



L'Associació d'Amics del Liceu li ha concedit el seu Premis de la Crítica d'Òpera de la temporada 2007-08 al cantant revelació, per la seva interpretació de Leporello al Don Giovanni del Gran Teatre del Liceu.

I a la seva web consta que, al juliol del 2011, el tindrem com al Escamillo de Carmen. Recordem que es parlava també de Alagna i/o Villazón com a Don José.


No hem trobat res d'audio on Ketelsen interpreti Figaro, tant sols aquest petit fragment del Se vuol ballare, de només 16 segons.



En canvi, si que es pot trobar al Youtube alguna interpretació interessat d'ell, com aquest Note e giorno faticar, en el seu paper de Leporello, a la exitosa i recent producció de Don Giovanni a la ROH.



Fa una setmana vam posar al bloc les primeres imatges de la producció.

El diumenge 9 és l'assaig general de Le Nozze de Figaro, i el dimarts 11, l'estrena. Esperem gaudir molt amb les intrigues i la recerca del plaer i la felicitat per part dels seus mozartians personatges.

Articles:
ABC
La Vanguardia
Diari de Tarragona
Estrella Digital
Noticias de Navarra
El Periódico
El Cultural


Algunes crítiques a d'altres Figaros de Ketelsen

MUSIC OMH

"Kyle Ketelsen was an unforgettable Figaro. So powerfully realized was his playing that one felt that this big-hearted, warm and lovable guy was someone one knew well. Intelligent, sharp, totally present, with just the right mix of bravado and charm, Ketelsen performed like an athlete in peak form. He is the kind of artist for whom singing and acting meet seamlessly, in spontaneous and inspired conception. Even when he was just watching and listening, Ketelsen told us everything he was feeling; when he began to sing, it was pure magic."
Wayman Chin, Opera News

"Kyle Ketelsen created a virile Figaro, and sang with power and consistency. His voice leans towards the bass end of the spectrum. It is large, focused, and easily audible from the all areas of the house. His diction was also quite Ed Tapper, Edge (Boston)

"Kyle Ketelsen is good at suggesting the revolutionary ardour that runs through Figaro’s veins, while still managing to seem a happy-go-lucky fellow, and his youthful bass-baritone promises much for the future."
Richard Fairman, Financial Times

"Both Kyle Ketelsen, a strong bass-baritone, and Brett Polegato...have garnered considerable attention with various recordings and appearances...Mr. Ketelsen, singing Figaro, showed an impressive, rich voice, immediately striking and sustained...these are fine points for someone with a very good voice."
Anne Midgette, New York Times



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6 nov. 2008

BREVES: 'La Boheme' sells to U.K., Japan !

Film will premiere in London in December !

Distribs in the U.K. and Japan have picked up Robert Dornhelm's "La Boheme" ahead of this year's American Film Market. London-based Axiom Films nabbed U.K. rights to the pic, which stars the operatic dream team of soprano Anna Netrebko and tenor Rolando Villazon, for a December release.In Japan, Star Sands/Theaters Tokyo will roll out the film in January.

The Unitel Classica and MR Film production sold earlier this year to Palace for Australia and New Zealand and to Hollywood Classic for the Czech Republic and Slovakia. NFP/Warner is distributing the opulent feature film, about the fatally ill Mimi and her poor artist lover Rodolfo, in Germany, while Constantin Film will release it in Austria. Beta Cinema is handling international sales for "La Boheme."

Y las villazonistas que vamos a Londres en Diciembre...¿vamos a tener la suerte de coincidir con la Première? ¿Y en Francia o España, se va a estrenar?

fuentes:
Hollywood reporter
Variety.com


Añadido con información proporcionada por Kenderina:
EL ESTRENO EN U.K. SERÁ EL 19 DE DICIEMBRE

4 nov. 2008

SI DOLCE È L'TORMENTO


Si dolce è l’tormento
es una canción de Claudio Monteverdi, la tercera de las incluídas en el Quarto scherzo delle ariose vaghezze commode da cantarsi a voce sola, con texto de Carlo Milanuzzi.

En la Italia del siglo XVII, la estética manierista surgida con la disolución del Renacimiento y como preludio del incipiente Barroco impulsó el surgimiento de principios compositivos trascendentales en la futura música occidental.
En el ámbito de la música vocal, concretamente, se estableció por vez primera un sistema para realizar un acompañamiento armónico supeditado a las voces melódicas altas, posibilitando así la enfatización de la expresividad del canto y, en general, la regulación de la canción para voz solista al servicio de un poema de nueva creación. Era realmente una “seconda prattica” que se oponía a la antigua estructuración polifónica contrapuntística donde se entrecruzaban todas las melodías y dificultaban la clara comprensión del texto poético.
El siglo XVII asistió a una gran proliferación de ediciones impresas de canciones estróficas, compuestas en un idioma mucho más homófono y que tenían una importante función como música de sociedad. Si el estilo recitativo fue la base del nuevo género operístico, donde lo más importante era la declamación cantada del drama dialogado, Monteverdi fue de los primeros en dotar de mayor variedad al dramma in musica con la inclusión de esas piezas estróficas, como esta que nos ocupa, que pronto pasarían a titularse aria.

Rolando Villazón grabó esta canción en el álbum Combattimento, que incluye, además de "Il Combattimento di Tancredi e Clorinda" de Claudio Monteverdi, piezas de música antigua y madrigales, bajo la dirección de Emmanuelle Haïm y junto a la soprano Patrizia Ciofi y el tenor Topi Lehtipuu.


Veamos la opinión del crítico Jaume Radigales:

Combattimento es un espléndido trabajo discográfico dirigido por Emmanuelle Haïm en que Villazón demuestra su versatilidad cantando Monteverdi. Su Combattimento di Tancredo e Clorinda tiene las dosis justas de dramatismo y narratividad, con un carácter mesuradamente teatral. Se podrá decir que la emisión y la proyección del mexicano quizá no se ajustan al tipo de canto barroco, pero el complemento justo con Haïm ayudan a hacer del canto de Villazón no sólo una excusa para abordar Monteverdi, sino una alternativa del todo válida a las descafeinadas versiones que, optando sólo por la filología, olvidan el carácter psicológico de las obras del autor de L’Orfeo.

Esta canción es una de las preferidas por las autoras del blog. De esas que nunca fallan, que acompañan cuando se requiere. Su melodía contiene dulzura y melancolía, sugestiones de historias, imágenes de sentimientos. Rolando la borda, le da unos matices bellísimos, conmovedores, diferentes y nuevos en cuanto a interpretación del barroco. Es audaz, y la hace suya. Os invitamos a disfrutarla:






3 nov. 2008

BREVES...noticias sobre el DVD de La Bohème

ChristinaLuise nos cuenta en su BLOG que, para averiguar la fecha de salida a la venta del DVD de La Bohème, se ha puesto en contacto con su distribuidora, NFP, donde le informaron de que debe pasar medio año desde el estreno hasta que salga a la venta el DVD. Total, que parece que tendremos que esperar a la primavera del 2009 !

1 nov. 2008

MAKING-OF DEL FILM DE LA BOHÈME - 52 min.

Hace pocos dias, la cadena austríaca ORF2 emitió el Making-Of del film La Bohème, del que ya hemos hablado aquí en otras ocasiones:


- 12/10 Las cuatro caras de Rodolfo
- 11
/10 Más sobre la Première de La bohème, cotilleos, fotos y videos
- 8/10 La Bohème, primeras reseñas y fotos
-
7/10 La Bohème, Première en Viena
- 18/9 La Bohème, trailer de la película



Os ofrecemos en 6 youtubes la versión entera, de 52 minutos de duración. Si a alguién le interesa los enlaces para bajársela integra, en mejor calidad, nos puede enviar un correo (recordad que sólo hablamos, DE MOMENTO, del Making-of) .

Seguimos sin notícias de si el film se va a estrenar en cine en otros paises que no sean los que ya lo pueden ver: Austria y Alemania. Nos parece que nos tendremos que conformar con verlo en DVD.

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2

3

4

5

6



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31 oct. 2008

ROLANDO VILLAZON IN ATHENS, by Angeliki

Colaboration of Angeliki

My impressions from Rolando’s Concert in Athens

Dear Villazonistas,

Due to too much work at the office, I have been a little late in sending you my promised comments on Rolando’s concert in Athens... But never fear!
The magic lives on... It is as if I were still there, in that concert hall, under the spell of these two wonderful creatures!!!

I believe that Parsifal has already fully covered the “technical” part of what was sung and how it was sung that night...
So I can only speak about emotions... I just don’t know for sure if I really have the words to do it!

Maybe I should explain right from the start that I am (well … I was!) a Placido Domingo fan more than anything else where opera is concerned, and that, until some time ago, I used to believe that nobody else could ever be like him, nobody else could ever give what he is always so generously giving... That was the case until a friend of mine made me notice Rolando! At that moment, something changed... I knew then that (thank God!) I was wrong! There was finally someone else who knew how to give himself completely to his art, to charm and move his public, to transport them to other spheres... There was Rolando Villazon!!!

I grew instantly very fond of him and when I knew that he was coming to Athens I was overjoyed! The fact that Nino Machaidze would be with him in his first concert in our city was a promise for a wonderful evening... Their “Roméo et Juliette” in Salzburg -I am sure you will agree!- was an absolute triumph and a performance that I adored!
So when the sale of tickets finally started, I was there from 05.30 in the morning, in fear to lose the good places!! Thankfully for me, my fears were unfounded. Rolando was not that well known in my country until that date for long queues to form before the box office that early in the morning...
My friends and I got seats in the 4th row, which was a great place to be!!

The problems that Rolando experienced with his throat just a week before the concert got us really worried, but his last performance in “Onegin” restored the confidence.

On Tuesday (28/10), we had the opportunity to listen to a great interview of Rolando to a Greek journalist on the radio, complete with many arias sung by him. Hearing him speak during this interview, I was so happy to confirm how profound a person he is, apart from being such an exceptional artist! I don’t know your opinion on this, but for me, who an artist is inside matters almost as much as how he or she performs! And Rolando is such a wonderful person, as is -of course- Placido!!!

The evening of the concert came and we were all overexcited... We knew that we were in for a memorable night, but back then ... we didn’t know just HOW memorable!
Until Rolando came on stage, slender and agile, beautifully dressed in his own style that suits him so, with that great smile of his and his easy attitude, and spoke a few words in Greek thus making instant contact with the audience.
From there on, he was holding us in his hands...

In every aria he sung, he gave everything that is in him, bringing tears in our eyes. It was as if time was suspended, I am not sure that I can really put into words the atmosphere in the concert hall and what I felt and what I sensed that everyone in the audience was feeling... I couldn’t believe that someone could experience such feelings in a concert hall!!!

The feelings of wonder and awe continued when Nino was on stage. She sang so beautifully and was so wonderfully looking that she effortlessly conquered all of our hearts!

To say nothing of the lovely “couple” they make! Absolutely endearing!!!

And then, in the midst of all this emotion, we suddenly saw another Rolando bursting into stage: One dressed with the t-shirt of the Greek national football team, wearing a white jockey with the Greek flag on it, holding a big can of beer and carrying a little teddy-bear in his rear pocket... All that, in order to sing “Caro Elisir” in a way that only he can, with all the facial expressions and funny movements and ... beer drinking (!!!) in place... Pure Rolando!!! He made us laugh so much!!! You absolutely cannot imagine the scene!... ;-)

If only this concert could have been videotaped by someone!... Nobody can describe it in a satisfactory way only with words, because it was a concert of feelings...

And then came more emotion, with “Tenda natal” and an incomparable “Non puede ser” that made us hold our breaths.

The “Brindisi” from “La Traviata” was a suitable end to this unforgettable evening. An end that had to delay a little, since we called the two of them many times on stage to applaud them. They really brought down the house and they absolutely deserved it!!!

The moments still live within me. I am sure that they will live in my heart forever, with that same intensity!!

Rolando deposited his wonderful soul in Athens, and sang right into ours! That night, performers and audience formed a big embrace, just like he said in his interview that he wanted it to be! And he alone made it happen!!

Out in the lobby, among the general praising, I also heard some people say that if he continues to give everything in this way every time he sings, his voice will not last long. Well ... that remains to be seen. People used to say worse to a young Domingo when he decided to sing “Otello” at an age that the “experts” regarded as “too young”! And where is Domingo now??!! Still singing gorgeously, still exploring new “territory”, still amazing and moving the world... With all my heart, I wish the same thing to Rolando, because we all need him so much, as we need this exact heartwarming way of his to give everything every time he performs!!! But even if it is not meant to be so, I think that we have to respect his wish in this matter: As he said in that same interview, if giving his 100% every time he performs means that he will have only another 20 years of performing instead of 40, then so be it! Because he will not change his ways!! And I find that fantastic!!!

After the concert, we tried to go backstage and see him… Unfortunately, it was not permitted.
However, when he emerged through that door, he was immediately surrounded by many fans hoping for a word with him and his signature on a CD-box, a picture or the concert programme…
Well, we didn’t really manage that “word”, because he had a reception to attend and was in some hurry, but he signed for each and every person who asked him to! And did it always with that great smile of his and the best of moods!!

Someone asked him if he will come to Greece again and he replied with a spontaneous “Yes!”. I hope that he understood well the question, because people were speaking to him from all over… ;-)
We shall be expecting him the soonest possible!!!
He is taking our hearts with him, which we gave him the moment he offered us his own!!

by Angeliki
Athens, 31.10.2008

PRIMERES IMATGES DE LE NOZZE DE FIGARO, AL LICEU



Ja disposem d'algunes imatges de l'esperat muntatge de Le Nozze de Figaro que s'estrenaran el proper 11 de novembre al Liceu. Serà un dels esdeveniments de la temporada, per l'obra en si, per la gran qualitat dels cantants i per ser una producció nova. Al repartiment podem trobar a Kyle Ketelsen (Figaro), Ludovic Tézier (Almaviva), Sophie Koch (Cherubino), Emma Bell (Comtessa) i Ofélia Sala (Susanna). Esperem amb especial ilusió a Ketelsen, el magnífic Leporello dels Don Giovanni del Liceu de la pasada temporada, i, més recentment, i més magnífic encara, de la ROH.

La direcció musical és d'Antoni Ros Marbà i la direcció d'escena, de Lluís Pasqual. Per les imatges, podem preveure una certa dosi de disconformitat per part dels sectors més tradicionalistes del Liceu. Certa en el sentit d'alguna i certa com a segura. Ja donarem la nostra opinió desprès de l'assaig general.




30 oct. 2008

POR FIN, EL CONCIERTO DE ATENAS SEGÚN PARSIFAL


Y, además, nuestro reportero griego nos ha mandado estas fotos,
en exclusiva para nuestro blog.
muaks, muaks, PARSI !