foto: Foris-Art.com |
Warm and
bright sunshine under the cold and dark sky of Moscow
Moscow people are fine
connoisseurs in music and greatly passionate music lovers. To perform in this
city, is certainly a special experience for the artists. The acoustics of the
beautiful and architecturally very interesting Tchaikovsky Hall are excellent, one has the
impression of sitting under a fantastic and rich rain of sounds. After 2006,
Rolando returned to delight the audience.
This time, we had the
Moscow Symphonic Orchestra. Its sound is magnificent, very round, providing
deep warmth and great cleanness of tone. Under the baton of Maestro Voronkov, the
'solos' of the orchestra were also great moments, we had colourful music in
Massenet's 'The King of Lahore', heartrending notes in Puccini's 'Manon
Lescaut' and particularly effervescent moments in 'The Wedding of Luís Alonso'.
Maestro Voronkov offered all sophisticated and refined details of these
challenging pieces. Great
precision in each note, warm sound of the violins, perfection with wind
instruments.
Pumeza Matshikiza sang
with sweetness the 'Elegy' of Massenet, and her voice was beautiful in 'Signore
ascolta'. Her version of this aria is somehow different from the traditional or
habitual one. In her Liu, I felt more authority, a more 'hard' woman as usual,
and she finished this aria with a, for me, unusual solution. In the Ravel
piece, Pumeza Matshikiza was brilliant. In the duets, she was a passionate
partner of Rolando.
ROLANDO
He gives me chills every
time I hear his voice. No matter what he sings, it always sounds like 'Fire'.
'El Cid'
is one of the greatest arias of Rolando. In Moscow, from the very first notes,
'Ah, tout est bien fini', I felt in every moment a particular passion. Each
note, each word was sung
with a heartrending beauty.
In the duet of 'Les
Pecheurs de perles' too, his voice offered the full scale of emotions: love,
hope, despair, happiness... The magic of the voice was limitless when he sang:
'Ton coeur n'a pas compris le mien, au sein de la nuit parfumée...'.
Each evening, in each
performance, Rolando offers us a new and different world. But my vocabulary is not wide enough, to
extensively describe all these new and fabulous experiences. It is far too
limited to allow me to adequately write about his voice and to find new
superlatives.
'Lamento di Federico' -
each time, the greatest experience for me. Every note comes from his soul with
the deepest passion. In
Moscow too, he stole the attention of
the audience completely, and when he finished, the public cheered with a thunderous explosion of applause and a
rain of flowers.
In 'Caro elisir', the
spectators were captivated by the powerful stage presence of Rolando who felt
totally comfortable and free on stage, knowing that people are loving his
performance.
For 'Una furtiva lágrima',
'Ya mis horas felices' and ''No puede ser', I have always the same (and very
personal) feeling: I cannot imagine these musics with another voice. For me,
the voice of Rolando is the unique one to sing them.
This time too, we had 4
encores. In 'Brindisi', during the orchestral part, Rolando jumped off the
stage for dancing with a lady, then he jumped back to the stage for singing the rest of this beautiful duet.
With his ardent, fervent,
burning passion, his enthusiasm and his commitment to each piece, Rolando
ignited the audience of the Tchaikovsky hall. Standing ovations, rain of bravos and flowers, thunderous applause.
Another glorious evening
in this series of concerts!
GRACIAS, ROLANDO!Eleonore
- Muchas gracias e Eleonore por su crónica y fotos -
foto: Eleonore |
foto: Eleonore |
foto: Eleonore |
foto: Eleonore |
foto: Eleonore |
foto: Eleonore |
foto: olga_goreglyad - iconosquare.com |
foto: natalylam- iconosquare.com |
foto: isilven - iconosquare.com |
foto: fliyingcate - iconosquare.com |
Añado unas fotos de la recepción en la Casa de México en Moscú.
foto: |
foto: |
Merci Eléonore .
RépondreSupprimerQue d'émotions ressenties à cette lecture !
Impatiemment je compte les jours ,heures ,minutes qui me séparent de la soirée au TCE .
A bientôt à vous tous chers Villazonistas .
A bientôt ! pour fêter le plus français des ténors mexicains...
SupprimerBravo et merci, chère Eléonore !
RépondreSupprimerComme toujours, la lecture de ton récit est un vrai bonheur et tous les détails tant sur l'interprétation de Pumeza et de Rolando que sur les facéties de ce dernier.. et surtout tes observations si sensibles sur le "parcours" suivi durant cette magnifique soirée, permettent de vivre le concert triomphal de Moscou.
Une nouvelle étape est franchie et l'ascension de Rolando et Pumeza continue.
Un immense Bravo à tous les 2 et tous mes souhaits pour la suite... avec un voeu particulier pour le concert de Paris où Rolando retrouvera un public qui l'adore.
A Paris, n'est-il pas "chez lui" ???
Merci beaucoup chère Eléonore, fidèle témoin des succès de Rolando !!
RépondreSupprimerQuelle chance nous avons de pouvoir suivre Rolando via le Blog et de partager ses succès !!
Succès, je devrais plutôt dire triomphe à Moscou avec un public qui l'adore, et qui l'a couvert de fleurs, ainsi que Pumeza !!
Oui Catherine à Paris il est chez lui, trop rarement à mon goût, hélas !!!
J'attends, comme beaucoup d'autres, cette soirée au TCE avec une grande impatience.
Bravo à Rolando et Pumeza, qui j'en suis sure, sauront enchanter le public Parisien mercredi soir.
Pleasure to hear from Rolando's fabolous concert, and his success in Moscow.
RépondreSupprimerThank you, Eléonore for this report, and for sharing your experiences.
VIVA ROLANDO!
Thank you Eleonore for the beautiful chronicle and photos.
RépondreSupprimerDanke an Eleonore, ein Fest für Rolando, ein Fest für Kunst und Musik!
RépondreSupprimer